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By mid-afternoon,the lodge is full in a way it hasn't been in months.

All of them—the core, Mateo and Nora and Declan and Garrett, and the outer patrol wolves too, the perimeter crews and the logging operation ground crews, people who know this territory the way I know it, from years of moving through it in both forms. They fill the main room with the attentive quiet of people who have been called together and understand it's serious.

I stand at the front and tell them everything.

The investigators. The wedding dress. The white Subaru on the south road. The systematic pattern is working toward the mountain from two directions—east and south, tightening. Dawson Whitaker is not a man who takes public humiliation quietly; he's a man with money and influence and people who work for him whose only job is finding what he's lost.

"He's not looking because he misses her," I tell them plainly. "He's looking because she left on his wedding day, and he hasn't controlled the story completely, and that bothers him more than she does." I let that land. "Which means he's not going to stop."

"How much time are we looking at?" Declan asks from the back, the easy humor entirely absent. This is the version of Declan that shows up when something real is on the table—direct, clear, and already thinking three steps ahead.

"Days," Mateo answers. "Possibly less. They've identified the car. They have a direction. They're methodical."

"What's the south road situation?" Nora presses, arms crossed, amber eyes sharp. "That's the only vehicle approach that makes sense if they've traced the car."

"We lock it down with eyes first," I tell her. "Nothing comes up that road without us knowing."

I look around the room. "I want the outer perimeter doubled," I continue. "South ridge, east trail, the logging road access. Rotating shifts—I don't want anyone running ragged before we even know what we're dealing with. Mateo has the schedule." I pause. "If investigators come onto this territory, we document them. We don't engage unless they force the issue. We know who's on our land, and we make sure they know we know."

"And if Dawson comes himself?" Nora asks. The question is careful, and she's watching me with particular attention, already knowing part of the answer.

"Then we deal with it as a pack," I tell her. "Together. The way we deal with everything."

The room holds that for a moment. What passes through it has nothing of fear in it—it's the opposite of fear, the specific gravity of people who made their choice about this territory and this pack a long time ago and are simply being reminded of it now.

"What about Harper?" Nora raises it carefully.

"She doesn't know the extent of it," I tell them. "She knows Dawson's been looking—she found the news coverage herself. She doesn't know how close the search has gotten." I look around the room. "She recently started breathing again. Whichmeans I'm going to hold off on the walls for as long as I can, and I'm going to treat her like the capable person she is rather than someone who needs to be managed through her own situation." I pause. "But I need to understand exactly what we're dealing with before I bring it to her. She deserves the full picture, not a partial one." I meet Nora's eyes. "She's not a problem. She's someone this pack has claimed as its own. We act accordingly."

Nora's features settle into something satisfied. "Good."

The logistics run another twenty minutes—communication protocols, patrol handoff procedures, and what happens if contact is made before the pack can respond as a group. When it's done, the room has the particular calm of people who have made a plan and trust each other to run it.

They disperse. Mateo stays.

"She's going to notice," he tells me once the room is empty. "Harper notices everything."

"I know," I acknowledge. "I'll tell her before she figures it out on her own. That's better than her feeling managed."

"When?"

I view the territory out the window—the mountain that has been mine my whole life, the land I know how to protect. "Soon," I tell him. "But not tonight."

He nods, reads something in my face, and heads for the door.

"Logan." He pauses without turning. "She's not going to run. When you tell her. I want you to know I don't think she's going to run."

I don't answer that. I'm not going to lean on the hope of it before I have to.

He goes.

Harper comes back from the eastern cache with Lila an hour before dinner.

I hear them before I see them—Harper's laugh carrying across the clearing, clear and unguarded, the kind she doeswhen something genuinely catches her off guard. They're talking about something I can't make out from the porch, Lila with her notebook and Harper gesturing with both hands, animated in the specific way she gets when an idea has genuinely grabbed her.

I watch her cross the clearing and feel the bond with the complete, complicated reality of what it is, what it means, and what is currently moving toward this territory, whether I want it to or not.

She looks up and finds me on the porch and smiles—that real one, the unhurried kind—and changes direction toward me without breaking stride.