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"The eastern cache is a disaster," she announces, climbing the porch steps. "Whoever organized it last needs to have a conversation with Lila's system because they are not on speaking terms."

"I'll pass that along," I tell her.

"I already started a list." She holds up the journal she's borrowed—filled, I can see from here, with her precise, practical handwriting. "Give me two hours tomorrow, and it'll be sorted."

"I believe you," I reply, and I do, completely and without reservation.

She leans against the porch railing beside me and looks out at the treeline with the easy, unhurried quality she's developed over the past days—the particular peace of finding somewhere that suits her and is still slightly surprised by it. Her chestnut hair is loose around her shoulders, and there's dirt on the knee of her jeans from the cache work, and she looks more settled than the woman who showed up on this porch in a wedding dress ever looked, and I let myself look at her for a moment the way I don't usually let myself.

She is happy.

That's the thing I keep coming back to, standing here on my porch with the investigators closing in from the south and Dawson's people working east and the pack running doubled patrols through the dark. She is genuinely, quietly, unperformatively happy, and she doesn't fully know yet that something is coming for it.

I know.

"You're quiet," she observes, without looking at me.

"Just thinking," I tell her.

"About?"

"The territory," I reply, which is true in every sense she's allowed to understand right now.

She nods, accepting it, and goes back to looking at the trees. It's barely past five, the last of the afternoon light still catching the upper pines, but the temperature has already started its slide—the particular way mountain evenings move in fall, fast and without negotiation, fifteen degrees gone in the time it takes the sun to drop behind the ridge. Not cold yet. Getting there. Once the dark comes in, it'll drop hard—thirties at least, maybe lower before morning, the kind of cold that makes the mountain feel like a different place entirely than it did at noon. Late October through early November is when this mountain starts preparing itself for winter—not gradually, not politely, but all at once, the way it does everything, as if it had been waiting all year for the permission to do so.

A comfortable quiet settles between us—the kind that doesn't need filling—and I let it sit while I watch the light move through the pines and think about everything the pack is doing right now that she doesn't know about.

"What's it like here in spring?" she asks after a while.

Something shifts in my chest at the question. At the particular shape of it, not what did it look like, past tense, historical curiosity. What is it like. Present and ongoing.

"Loud," I tell her. "The creek runs high from the snowmelt—you can hear it from the cabin for about six weeks. The elk move back up to the upper ridge around April, and the meadow on the south trail comes in fast once the ground thaws. Wildflowers first, then the grass." I pause. "The aspens leaf out last. When they do, the whole east ridge goes green overnight. Looks like the mountain decided something."

She holds her tongue, still looking at the treeline. "That sounds worth seeing," she says, carefully. Almost to herself.

I look at her profile—the line of her jaw, the expressive brows, the green the evening light has pulled into her hazel eyes—and feel something in my chest clench with the specific complexity of wanting her to have exactly what she's described and knowing what is currently moving toward this mountain.

"It is," I tell her.

She turns the information over quietly, the way she turns everything over—not rushing to a response, purely sitting with it. Then: "Do the wildflowers last long?"

"Three, maybe four weeks depending on the weather," I tell her. "If you're out early enough on the south trail in May, you get the full meadow before the grass comes in and takes over for summer. It doesn't last."

She looks at me sideways. "You're describing a lot of future seasons."

"I'm describing the mountain," I reply evenly. "It does what it does regardless of who's watching."

Something subtle traces her face—caught somewhere between the almost-smile and something more serious—and she looks back at the treeline without answering.

The quiet settles back between us, and I let it, because some things land better when they're not chased.

The pack is out there right now, running the doubled perimeter, watching the south road, the east trail, and thelogging road access. Mateo is monitoring the reports from the nearby towns. Everything that can be done tonight is being done.

It's not enough to stop what's coming. It's enough to see it when it arrives.

"Whatever you're carrying," Harper tells me quietly, still looking at the trees, "you don't have to carry it alone, you know."

My vision steadies on her for a long pause.