My look cuts his words short.
The Painters Mill PD consists of myself, three full-time officers, two dispatchers and one auxiliary officer. Rupert “Glock” Maddox is a former Marine and my most experienced. He earned his nickname because of his fondness for his side arm. Vacation or not, I need him.
“Tell him to bring crime scene tape.” I think about what else we’re going to need. “Get an ambulance out here. Alert the hospital in Millersburg. Tell them we’ll be transporting a body to the morgue. Oh, and tell Rupert to bring coffee. Lot’s of it.” I look down at the body. “We’re going to be here a while.”
Dr. Ludwig Coblentz is a rotund man with a big head, a balding pate and a belly the size of a Volkswagen. I meet him on the shoulder as he slides from his Escalade. “I hear one of your officers had a close encounter with a dead body,” he says grimly.
“Not just dead,” I say. “Murdered.”
He wears khaki trousers and a red plaid pajama top beneath his parka. I watch as he pulls a black bag from the passenger seat. Holding it like a lunchbox, he turns to me, his expression telling me he’s ready to get down to business.
I lead him into the bar ditch. It’s a short walk to the body, but his breathing is labored by the time we climb the fence. “How the hell did a body get all the way out here?” he mutters.
“Someone dumped her or she dragged herself before she died.”
He gives me a look, but I don’t elaborate. I don’t want him walking into this with preconceived notions. First impressions are important in police work.
We duck under the crime scene tape Glock has strung through the trees like toilet paper at Halloween. T.J. has clipped an AC work light to a branch above the body. It doesn’t cast much light, but it’s better than flashlights and will free up our hands. I wish for a generator.
“Scene is secure.” Glock approaches holding two cups of coffee and shoves one at me. “You look like you could use this.”
Taking the Styrofoam cup, I peel back the tab and sip. “God, that’s good.”
He glances at the body. “You figure someone dumped her?”
“Looks that way.”
T.J. joins us, his gaze flicking to the dead woman. “Jeez, Chief, I hate to see her laid out like that.”
I hate it, too. From where we stand I can see her breasts and pubic hair. The woman inside me cringes at that. But there’s nothing I can do about it; we can’t move her or cover her until we process the scene. “Do either of you recognize her?” I ask.
Both men shake their heads.
Sipping my coffee, I study the scene, trying to piece together what might have happened. “Glock, do you still have that old Polaroid?”
“In my trunk.”
“Take some photos of the body and the scene.” I think of the trampled snow and mentally kick myself for disturbing the area. A boot tread might have been helpful. “I want shots of the drag marks, too.” I speak to both men now. “Set up a grid inside the crime scene tape and walk it, starting at the trees. Bag everything you find, even if you think it’s not important. Be sure to photograph everything before you touch it. See if you can find a boot tread. Keep your eyes open for clothing or a wallet.”
“Will do, Chief.” Glock and T.J. start toward the trees.
I turn to Doc Coblentz, who is standing next to the body. “Any idea who she is?” I ask.
“I don’t recognize her.” The doc removes his mittens, slides his chubby fingers into latex gloves. He grunts as he kneels.
“Any idea how long she’s been dead?”
“Hard to tell because of the cold.” He lifts her arm. Red grooves mark her wrist. The surrounding flesh is bruised and smeared with blood. “Her hands were bound,” he says.
I look at the scored flesh. She’d struggled violently to get free. “With wire?”
“That would be my guess.”
Her painted fingernails tell me she’s not Amish. I notice two nails on her right hand are broken to the quick. She’d fought back. I make a mental note to get nail scrapings.
“Rigor has set in,” the doc says. “She’s been dead at least eight hours. Judging from the ice crystals on the mucous membranes, probably closer to ten. Once I get her to the hospital, I’ll get a core body temp. Body temp drops a degree to a degree and a half per hour, so a core will narrow down TOD.” He releases her hand.
His finger hovers above the purple flesh of her cheek. “Lividity in the face here.” He looks up at me. His glasses are fogged. His eyes appear huge behind the thick lenses. “Did someone move her?” he asks.