Doesn’t need one.
Aileen’s eyes in the rear-view mirror narrow and flicker. Marie-Claire jogs to the Car Park Entrance just in time to see the car pull away.
EXT. CAR PARK, WAREHOUSE – NIGHT
The Police Patrol Car with Holly and the Baby in the back turns into the car park, navigates marked and unmarked Police vehicles, Official People mill about. We may notice an unmarked CAR turn in behind it. With a determined Marie-Claire at the wheel.
EXT. CAR PARK, WAREHOUSE – NIGHT
The car rumbles to a halt under a covered section of car park. We pull away to see from above …
AILEEN (ON RADIO O.S.)
Sir, I’ll need a female officer to watch the, er …
Marie-Claire leaps from her car, pulls her police hat on, straightens her uniform …
AILEEN (ON RADIO O.S.)
Strike that, there’s one here. Hi.
MARIE-CLAIRE
Marie-Claire …
EXT. CAR PARK, WAREHOUSE – NIGHT
Holly exits the police car and is face to face withMarie-Claire. It’s a moment.
FLASHBACK to the DARK FORCE SHE WAS FACE TO FACE WITH JUST A FEW HOURS AGO. IS THIS WHO SHOT THE ANGELS? She backs away, clutches the Baby, SCREAMS.
AILEEN
Holly, Holly. Hey, this is Marie-Claire; she’ll look after you while I collect Jonah …
HOLLY
No! She’s a dark force.
AILEEN
Oi! You, shut it. (to Marie-Claire) Sorry, Officer.
Aileen and Marie-Claire share a look.
AILEEN
Sit in the car while I’m gone, Marie-Claire will keep an eye on you from out here.
Marie-Claire nods her assent, as Aileen hurries into the warehouse.
INT. POLICE PATROL CAR – NIGHT – A SHORT TIME LATER
The Baby searches Holly’s eyes. She smiles, rocks it. Outside, Marie-Claire paces, speaks into a phone. Her voice a low murmur, barely audible.
MARIE-CLAIRE
… in the car with the girl … Gone to shit …copperseverywhere.