“Jackie?” I call again.
The pause before she responds is a lifetime.
“What?” she snaps at last, and I can honestly say I have never been more relieved to hear her irritated voice.
I let go of the door.
Step forward as the door swings shut.
Turn the corner.
Halt.
“Jackie? What are you . . . doing?”
I cast my eyes around, gathering in the surroundings.
Jackie is standing in the center of the room, in the dark. The heavy drapes on the wall of windows are drawn. A coffee table is beside her, alongside half a dozen wingback chairs.
Nobody is in the room.
Jackie herself looks . . . in a word . . . rigid. As in, more rigid. (Has she ever not looked rigid? I bet the woman sleeps like a statue.)
“I’m . . .” She looks to the ceiling, directing her scowl there for several seconds. “I’m . . . stretching.”
“Here?”
“Yes.” With minimal effort, she draws her left foot backward, then leans her weight on her right thigh.
“In the dark?”
“It’s calming.”
My brows furrow. “With a knife in your pocket?”
“Obviously not.”
I point at the handle of the steak knife at the hip of her tweed pants.
“Except . . . for that one,” she says, pulling it out by the gleaming white handle.
What . . . in the Sam Hill?
She takes a breath.
Looks up at the ceiling one more time.
Squeezes her eyes shut.
And opens them.
When she looks at me again, there’s a certainty in her expression.
Something surprising. Something decided.
It sends a chill up my spine.
“Fine. You caught me. You no doubt find it suspicious. But obviously I keep personal protection on me, Pip. I’m not a fool who would walk anywhere around this ship alone when two people have been murdered. Luck favors the prepared.”