But there’s a change in pressure my mind registers.
I turn.
Three men step inside.
They don’t fit. That’s the first and clearest thing. They don’t fit this space. Their clothes are wrong for the neighborhood. Too clean where they should be worn, too careless where it counts. They walk through the building as if it is an obstacle, not somewhere they’ve arrived.
The third man is the one I watch.
The first two have the easy loose energy of people who have been told this will be simple, who are here as props rather than to execute it. The third one is older, broader through the shoulders, and he is definitely the actor. His eyes move around the room with a calculation that has nothing casual in it: distances, exits, angles, personnel. That look doesn’t come from impulse, alcohol, or general animosity.
It comes from someone who was sent here with a purpose.
The front of the cleaners goes silent. The first man looks at the sign behind the counter. Then at me.
His mouth curls.
“Well,” he says to the others, loud enough to carry easily through the shop, “look at that.”
“Animal laundromat,” the second man says, and laughs at his own joke with the enthusiasm of someone who rehearsed it.
The first man steps forward, cutting the distance to the counter with the slow movement of someone who expects the room to give way.
“Funny thing about this part of town,” he says, looking between me and Otto. “Never know what kind of strays you’ll run into.”
“You guys can keep moving,” Otto says, his voice careful and even. “Nothing here for you.”
“Nothing here for us,” the first man repeats, turning the phrase over like it’s interesting. “You hear that?”
The second man’s gaze moves to Norah.
Then to me.
“Keep your kind away from our women,” he says.
The words hit the room and stay there.
The machines in the back keep running. Steam hisses. The conveyor clicks. The world outside the windows doesn’t know yet that the line got crossed.
What happens next doesn’t surge. It sharpens.
This is the distinction most people don’t understand. When the wolf comes forward with genuine intent rather than irritation, it doesn’t feel like heat or rage or loss of control.
It feels like the opposite: a narrowing, a focusing, every sense pulling into precise clarity. Sound stratifies. The first man’s heartbeat is fast and elevated. The second man’s is faster, less controlled, and the third man’s is slower and steadier, the heart rate of someone who has done this before and isn’t worried about the outcome.
I absorb it all in approximately one second.
“Move,” I say. My voice is level, because I’m making it level, the effort of keeping the wolf contained that doesn’t want to be.
The first man rocks back on his heels, grinning. “No barking?” he says. “Thought your lot did that.”
“Maybe only when the moon’s right,” the second one adds.
The third man says nothing. He’s sizing me up with the focused assessment of someone running a calculation.
Then the first man shoves me.
It isn’t meant to do anything except test. Palm flat to my shoulder, a push that expects me to give ground and is going to use whatever happens next to decide how far to take this. It only works if the other person retreats. But I don’t retreat, and the moment his palm connects I catch his wrist and move.