Maria was too clever to accept an easy answer. There was no reason for Rebecca to lie anymore, and even if she had, Maria would have known. It was clear the girl had the sight. What was to come was in the corner of Maria’s eye, so that she spied both the present and the future. A death, a blessing, a love affair. She could see it all, and the world knew it and responded to her. White moths were collecting in the grass all around her. Doves gathered in the branches of one of the oldest elm trees in the county. Robbers had been hanged from its branches; the tree had turned blood red wherever a rope had been tied, and the ground beneath it was red as well. No grass grew here. The Lockland family had a legacy of greed and cruelty, and even the trees knew their history.
“My husband was not your father,” Rebecca admitted in a soft voice.
“But surely I had one.” Maria’s face was pinched. She felt twisted inside. Hannah Owens had been her family, and now she felt alone in the world. “Or perhaps you no longer remember who he was, as you failed to remember that your husband would punish whoever might help you. Your men came to kill the woman who raised me.” Maria met her mother’s gaze, unafraid. She blamed Rebecca for Hannah’s death, and it was in her nature to speak her mind. She could already tell, her mother might be more learned when it came to magic, but of the two, Maria was stronger.
“I did not mean for that to happen,” Rebecca vowed. “She was a good woman. That was why I left you with her. I never thought my husband would be able to follow my trail.” Rebecca’s red hair nearly reached to her waist. She was vain and she always had been, but her expression showed heartfelt remorse. “I laid out cayenne, pepper, and lavender to confuse his dogs. I thought he’d prefer his drink to me and that he’d be too filled with rum to find where I’d been. That was my mistake. I underestimated the power of the Tenth. I know I can’t undo what has been done, but even if I am at fault, I wish you would stay with me. If you ever have a child and lose her, a tragedy I wouldn’t wish on any living soul, then perhaps you will forgive me.”
Maria scrutinized the house, three stories of pale stone with a cobbled courtyard, the home of the Locklands for over two hundred years. She looked at her mother, who had given birth by herself in a snowy field despite her fine manor house, and who had initialed Maria’s blanket with blue silk thread spun halfway across the world by glowing worms that turned into moths with bright wings.
Perhaps it was meant to be. Maria would take a chamber on the second floor. The largest one, with a lock on the door so she could have her privacy, for magic was a private affair, even between mother and daughter, and magic was all she cared about now.
Although Rebecca could neither read nor write, when it came to matters of love, she was an expert. Her Grimoire was filled with runic marks, the ancient alphabet of alchemy. She used these symbols to denote which herbs to use and which to avoid, which spells were best to recite in the waning or waxing of the moon, to bring forth the power of the earth and sky, incantations which were dangerous in a novice’s hands. She taught Maria the eight lesser love charms, and the Ninth Potion, which was so potent one must wear gloves during its preparation. The Tenth Potion was the one she herself had used, and she did not recommend the use of that enchantment. If she knew Maria had copied it into her own Grimoire, at the very back of her book, she did not say; she only told her daughter to be vigilant. There were sinister aspects of magic, and what you brought into this world was your responsibility, to deal with forevermore.
Rebecca herself was drawn toward the dark, what some people called left-handed magic, and she certainly didn’t care about any man’s wrath, even after her years with her husband, who had known enough about her skills to set out a circle of salt around her and tie her to an iron chair before he beat her, for salt and iron deplete a witch’s talents. Of course he would want to change her once he knew what she was; that was the way their love first unraveled. Rebecca knew how to blind a man and how to make him see again, what herbs would help to bring on a pregnancy, as well as those that would end that condition. Rebecca was as acquainted with the many forms of magic as she was with the corners and walls of her own bedchamber. She was a seeker of revenge, fearless since her first day on earth. She, too, had grown up as a motherless child, and because of this Rebecca had learned to survive by her wits early on. Her own mother was a witch who had disappeared after her daughter’s birth. Rebecca was an outcast from the start, for her father did not wish to have her in his household. It was no mistake that Rebecca had left her daughter in Devotion Field rather than with a nurse, as she had experienced the terrors of such a childhood. For what was perceived as a bit of magic—a white deer that came to her, unafraid; the sight of the red crescent mark on her leg—she’d been slapped and beaten by her nurse, then locked in a dark room until she learned to keep her talents to herself. The nurse had granted Rebecca one meal a day, unless she stole from the pantry, which she always did. She thanked that horrible woman now. The nurse had taught her how to survive, and Rebecca made her way on her beauty and her talents to the home of the Locklands, but she had wanted a real home for her daughter. She’d heard of Hannah Owens and her remedies and had chosen Hannah to raise her child with kindness and a gift for the Nameless Art. Now, after all these years, she had the chance to mentor the girl herself. Rebecca felt that she was Maria’s proper teacher, with access to private knowledge known only to the women in their family. They’d come from a long line of women whose blood burned black in the snow, who could cure or wound with words and herbs, who spoke to birds and bees, who changed the weather and were either feared or respected by their neighbors.
Studying under her mother’s tutelage, Maria wrote down lists of herbs and useful plants in her Grimoire, along with remedies for sorrow, illness, childbirth ailments, jealousy, headache, rashes, desire. There were other spells, not medicinal treatments, but spiritual, ancient enchantments that began with the Hebrew word Abracadabra, I create as I speak, taken from the even earlier Aramaic chant, Avra kadavra, It will be created in my words. Some spells were too dangerous to use, unless there was no choice, for they could wound the practitioner as well as the object of their conjuring. Spells for revenge or survival, in which the spell maker’s own blood was used as ink to ensure that only she could read the words. Sympathetic magic, using poppets and lifelike figures, and, when revenge was involved, pins and hooks. Poisons that were tasteless and odorless, but stung like a wasp before they could be noticed. Black magic, red magic, blood magic, love magic. Rebecca divided both the world that she walked through and the world that was unseen into these categories. Maria kept her book under the floorboards beside her bed. No women came here asking for Rebecca’s help even if they might have wished for it. They were all too frightened of her. She did not mind if a subject had to take ill, or die, in order for her to get her way. A pin in a poppet, a vial of blood, a bird bled to death on the hearth—all of it was in her book, brought to bear when deemed useful.
There was a distance between Maria and her mother, for they were still strangers to each other, and they saw their place in the world quite differently. Maria had grown up learning to help those in need, while Rebecca thought only to help herself. Still Maria was interested in all Rebecca had to teach her. They were blood relations, after all, and one often knew what the other was thinking before the words were spoken aloud. Each also had the ability to keep secrets by throwing up a screen that blocked her most private thoughts. Shared blood didn’t account for everything. They were different as night from day. Maria knew in her heart that if she’d been the one in that snowy field, she would have never left her child on her own.
For Love Gone Wrong
Vervain eases the pain of unrequited love.
A cobweb on a door means your beloved has been untrue.
To bring about passion: anise seed, burdock root, myrtle leaves.
Amulets for luck are made of blue beads, dove feathers, mistletoe, wishbones.
All spells increase with the waxing moon, decrease with the waning moon.
Place two eggs under the bed to cleanse the atmosphere—destroy afterward. Do not eat or you will swallow bad fortune.
A mirror beside you reflects back the evil eye.
For protection against love: black cloth, red thread, clove, blackthorn.
In the year 1675, when Maria turned eleven, there was another epidemic, of smallpox. Some towns and villages were emptied of all of their inhabitants, and the doors to houses swung open and robbers ruled the roads. It was a sorrowful and ruthless time. All the same, Rebecca often disappeared at night. It seemed she had a destination she would not or could not refuse when it called to her. She tossed a cape over her shining hair, gazed at herself in the painted black mirror that revealed the future, then ignored her fate and did as she pleased. She was headstrong and had always been so, especially in matters of love, as had been true for her own mother. The women in their family had the talent of the Nameless Art, but Rebecca admitted, they all had difficulties with love. They were prone to ignore the rules and the warnings inside their own hearts and heads. Love could ruin your life or set you free; it could happen by chance or be a well-planned decision.
When Rebecca returned in the mornings after her nights out, there were brambles in her clothes and her hair was unbraided. She had marks on her throat and shoulders, as if she’d been bitten by some animal, and she was so overheated she had no need of a cloak. Even at Maria’s young age she knew there was only one reason for her mother to vanish and to spend all of the next day asleep, with the door to her room bolted shut. Night after night she disappeared, wearing her finest clothes, black crinolines, red dresses, and red boots. One dew-drenched morning when the sun had not yet risen, Rebecca returned to find Maria waiting for her in the Silver Pasture, which was littered with spoons and candlesticks and platters, all tossed out the door to bring her luck. Cadin had presented Maria with three strands of black hair, and when she held them in her hand she knew her mother’s secret.
Rebecca stopped where she stood when she realized Maria was there to greet her in the foggy morning. She had been caught red-handed, as if she were the wayward girl and Maria the strict caretaker. Her boots were slick with mud and she had a fresh bite mark on her throat, as if someone had mistaken her delicate flesh for an apple. She raised her chin, defiant. She had been a willful girl, and that trait didn’t often disappear.
“Do you want to ask me a question?” she asked her daughter.
The girl was growing up, and quickly. It was already possible to see the woman she would soon be. Dark and far too curious for her own good. She came to judgments easily, and held a grudge, and was fiercely loyal. She’d had her first blood, therefore some might call her a woman already. Certainly, she had more skill than Rebecca would have imagined possible. Maria was a weather witch and could stop rain by standing in a downpour with her arms uplifted. She could melt the drifts of snow that she walked upon. Cures for fevers, love madness, insomnia, bad luck, all were within her reach. Neighbors from the nearby farms came to see her, out of her mother’s line of sight, waiting anxiously beside the empty barn where Maria dried herbs. Rebecca believed magic should never be shared or bought; for her it was a bloodline talent, meant for family members alone. But Maria had learned otherwise from Hannah. What gifts you had, you were meant to share. What you set out into the world came back to you threefold. If a child was ill, if an old woman was losing her sight, if a family knew suffering, she was willing to do what she could on their behalf. She charged nothing, but accepted whatever they gave. A silver spoon, a currant cake, a copper coin.
Now as her mother approached after being gone all night, Maria held up the strands of hair the crow had brought her earlier that morning. They were the exact same color as her own hair, black as midnight, but coarser. She knew exactly who they belonged to. The man who’d been responsible for her life. She could sense who he was. A man who lived in shadow, who did as he pleased, who could convince people he was one thing, when he was someone else entirely.
“I thought I had no father,” Maria said.
“No official father.”
“But a father all the same. One you have come from right now.” When she gave Rebecca the dark strands of hair, her mother held them with a rare tenderness and stored them in a locket she wore around her throat.
A farm boy came riding by, tentative and nervous as he neared the house where people in the village said there lived not one witch, but two. One might curse you, one might cure you, but two had the power to do as they pleased, and there’d be no defense against them. In this world, witches were best to be avoided at all costs. Still, the boy did as his master had instructed. His horse was old and nearly lame, but the boy rode him as quickly as he could. No messenger wanted to be caught and questioned by Rebecca Lockland.
“That boy’s horse has a tail as black as your hair,” Rebecca said as she watched the worried rider. “Perhaps the old stallion is your father and you’re only half-human.”