They do. Oh, they do.
“Ten!”
“NINE!”
By the time we hit zero, it’s chaos again. Arms, confetti, someone throwing a bra. Dex gives me a mock salute. Jamie’s got tears in his eyes.
But I’m not done yet.
I walk to the side piano, barely seeing the keys through the sweat on my lashes. My fingers hover like they’re scared. Maybe they are.
The mic squeals slightly as I sit.
“I want to play something you haven’t heard before,” I say, and I know my voice is hoarse now, too rough to be pretty. “I wrote this when I was falling in love. Really falling. Not PR shit. Not magazine spreads. The kind where your chest feels too small for your heart, and the sound of her breathing becomes a melody you can’t unhear.”
A beat.
“She’s here tonight.”
That hush again. A thousand camera flashes aimed toward the wings. Seren’s still there. Still watching. Her arms are crossed. Her face unreadable.
“If this goes badly, please clap anyway. My ego’s hanging by a thread.”
Laughter. One more breath.
“This is ‘Frequency.’”
And I play.
It’s slow. It’s stripped back. No drums. No backing vocals. Just the ache in my chest and a hundred nights of missing her bleeding out through the melody.
The lyrics are a prayer. A confession. A map of what we were and what I still hope we might be.
I sing about Tokyo. About coffee spoons and whispered lyrics and the kind of silence that says more than words ever could. I sing about fucking up. About hurting the person you love because you’re afraid to admit just how much you need them.
About writing a song that might be the only way to say sorry and mean it.
The last note hovers—one fragile, trembling sound held in a space so huge it shouldn’t matter, but it does. My foot slips off the pedal. The piano hum fades.
Silence.
Then—
Applause. Deep and low, not frenzied.
I turn my head.
She’s still there.
Seren.
Holding up a sign.
Sharpie scrawled across the back of a setlist sheet.
5/10.
I burst out laughing. Head back, whole body shaking.