Creed: And I improved the situation by arriving.
Halston: That is one interpretation.
Liv: It’s the correct one.
Creed: I’ll see you both after the game.
Halston: We’ll be there.
Liv: I’ll be the one pretending I understand line changes.
Creed: I’ll be the one pretending not to look for you.
Halston: And I’ll be the one noticing both of you pretending, while watching Lafontaine’s perfect ass.
Liv: Final paper for art history is killing me. I have written and deleted the same paragraph seven times.
Halston: What's the paragraph?
Liv: Trying to explain why a painting is doing something the painter didn't consciously intend.
Halston: Send it to me.
Liv: It's bad.
Halston: Send it anyway.
Liv: [attachment: paragraph.docx]
Halston: Liv.
Liv: Halston.
Halston: It's not bad. You're using the word 'intent' when you mean 'effect.' Swap those two. The whole paragraph reorganizes around the new verb.
Liv: . . .
Liv: You're right.
Halston: I usually am.
Liv: Don't get cocky.
Halston: Too late.
Liv: I hate how useful that was.
Halston: No, you hate that I was useful before you finished panicking.
Liv: I wasn’t panicking.
Halston: You deleted the same paragraph seven times.
Liv: That is called revision.
Halston: That is called a literary hostage situation.
Liv: The paragraph deserved consequences.