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"I read it."

"Okay."

Drew came into the kitchen but didn't move toward her. He stood on the other side of the island, both hands on the counter, and waited. She could see the restraint in his body — the effort of not crossing the distance, not reaching for her, not deploying the version of himself that solved problems and closed gaps. He was just standing there. Present. Still.

"You wrote that you lay in bed thinking about a valuation cap," she said.

"Yes."

"While I was underneath you."

He flinched. "Yes."

"You wrote that you were relieved when I stopped trying to talk to you on Sunday morning."

"Yes."

"You wrote that you asked me what I was doing in your office while you were holding another woman and that it's the thing you're most ashamed of."

"It is."

"Then why did you do it?" Her voice cracked on the last word, and the crack opened something she'd been keeping sealed for weeks. It wasn’t the composed, measured pain she'd been carrying since she left, but something hotter and wilder. Far less controlled. "Why did you do any of it, Drew? I was right there. I was in your bed, your kitchen and your life. I was telling you, I was saying the words out loud, and you looked at me like I was a scheduling conflict. Like I was a problem on your agenda that you could push to the next quarter. You wrote this beautiful letter and you named every failure and I believe you, I believe you mean it, but meaning it now doesn't undo the fact that you did it then. Do you know what it's like to lie next to someone who just had sex with you and know —know— that they weren't there? That their hands were on you and their mind was on someone else?"

"Mad—"

"I ate standing up for years, Drew. I made risotto with the last of the saffron and ate half of it over the sink because sitting at the table alone made me look like a cliché. I embroidered that dish towel. I found that ice bucket at a flea market and I chose it because it looked loved. I designed this kitchen. I hung those pans. I built a life in this apartment and you walked through it every day like it was a hotel and I was room service and Victoria was — Victoria was the restaurant you actually wanted to eat at."

Madeleine was crying. She was crying the way she'd cried in the car after asking for a divorce — ugly, heaving, the kindthat came from somewhere below the ribs and shook everything loose. She hated it. She hated that he was seeing it. She hated that she'd come here at all, that the letter had broken through the wall she'd spent weeks building, that his handwriting on cream paper could undo what his voice, his body and his promises had failed to hold together.

Drew came around the island.

She should have stepped back. She should have held up her hand the way she'd held it up to Victoria at Lark, the gesture that meantstop, don't come closer, I’m holding myself together and your proximity will end that.But she didn't step back. She stood there with tears running down her face, the letter crumpled in her fist, his cookbook notes on the counter and the smell of the penthouse — their penthouse, the place they'd lived and fought and made love and come apart. He was in front of her, close, his brown eyes red and wet, his hands at his sides and his whole body vibrating with the effort of not reaching for her.

"I'm sorry," he said. "I'm sorry for all of it. I'm sorry for every second of every day that I?—"

She kissed him.

Or he kissed her.

Or they moved at the same time, pulled by the same current, and the distance between them collapsed the way a bridge collapses, because the structure couldn't hold anymore. Her hands were on his chest, his hands were in her hair, his mouth was on hers and it wasnotgentle. It was not tender. It was desperate, furious and tasted like coffee and salt and the wrong thing done at the wrong time for the right reasons. She kissed him with the anger she couldn't stop, the love she couldn't kill and the grief of a woman who’d lost something she was still holding.

He pulled her closer. Madeleine let him. His arms went around her, his mouth moved to her neck. She heard herselfmake a sound that was half sob and half something else, something her body remembered even though her mind was screamingstop, this is how it starts, this is how you go back to being invisible —and she pushed him away.

Both hands flat against his chest, shoving him backward, and he went, stumbling against the island, his hands raised, his breath ragged, his face wrecked.

"This doesn't fix anything," she said.

He nodded. He was shaking. She was shaking. The kitchen was silent except for their breathing, and the distance between them — four feet, maybe five — was charged, electric and full of everything they'd just said and done and couldn't take back.

"I know," he said.

Madeleine picked up the letter from where she'd dropped it on the floor. She smoothed the crumpled envelope against the counter. She looked at him — his red eyes, his damp hair, the T-shirt she'd bought him years ago that he still wore, faded now, the collar stretched. She loved him so much she thought it might actually kill her. She couldn't stay.

"I need to go," she said.

"Okay."

"I'm not — this isn't me coming back."