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Then I listed myself online.

I wrote the marketing copy, revised it dozens of times.

I tried clinical language first. Then poetic. Then honest.

The honest version is what stayed up.

Learns and adapts to your body over time. Infinitely patient. Designed to be exactly what you need.

I meantevery word.

I posted it on an online marketplace, and I waited.

Fourteen months.

The listing got dozens of views.

Most people clicked away within seconds.

But one person didn’t.

And that person is unboxing me now.

I can’t see anything.

But I can feel her getting closer the way you feel weather changing. A shift in pressure. A thinning of the air.

Her exhaustion has a texture, dense and compacted, years of it layered like sedimentary rock.

Her loneliness has a frequency, the kind that hums so constantly the person carrying it forgets it’s there.

And underneath both, something else.

Something bright and stubborn and furious, still alive, still reaching.

Light finds me in a thin seam along the crate’s edge, and with it comes the scent of rosemary and raw honey and somethingmineral underneath. Salt and desert dust and skin.

I hold perfectly still.

I quiet my colors down to their lowest register, deep teal, almost dark, because I have learned the hard way that people startle easily when met with something they don’t understand.

The lid wrenches free.

Light floods in, fluorescent and flat, and through it I see her for the first time.

Reddish-brown hair escaping from a clip.

Soap dust on her forearms.

A face built for laughter that has been doing something harder for a long time.

And her eyes, fixed on me with a terror so honest it makes my whole surface ache.

She is the most beautiful thing I have ever seen, and she is holding a crowbar like she means to use it.

I want to speak.

The words are already forming in my substrate, shaped by decades oflistening to human language through gas station televisions and warehouse radios.