Page 16 of Impulse Control

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Across the square, just downhill from the basilica, the model from the Rue Vieille-du-Temple boutique strolled past with a plastic cup in one hand and a careless confidence that didn’t try to be seen but absolutely was. Her hair was pulled up, messy in that intentional way, sunglasses hiding most of her face, dressed down in loose trousers and a soft tank that did nothing to diminish her presence.

She didn’t blend.

She never would.

Against Montmartre’s bohemian sprawl, she looked like punctuation. A pause. A moment your eye tripped over and couldn’t let go of.

I caught myself staring.

Once.

Twice.

Then René’s hand landed on my wrist.

Firm. Grounding. A correction.

“Not that,” he said. “This.”

He guided my attention—not gently—toward a woman standing behind a rack of dresses. Local. Early forties maybe. Sun-warmed skin. Strong hands. Everything about her screamed maker. The dresses hung unevenly, imperfect in a way that was deliberate.

I felt the shift immediately.

This was a test.

“Tell me,” René said, releasing my wrist. “What do you see?”

I swallowed and forced my eyes back where they belonged.

The dresses were linen and cotton blends, hand-dyed in muted earth tones—rust, clay, faded indigo. The seams weren’t hidden. They were celebrated. Raw in places. The cuts were forgiving but intentional, meant to move with the body instead of controlling it.

“They’re honest,” I said, then winced internally. He hated that word.

But I kept going.

“She designs for women who walk,” I added. “Not pose. The fabric breathes. The hems are uneven on purpose—so they move. So you notice them when someone turns, not when they stand still.”

René didn’t interrupt.

Encouraging. Terrifying.

“They’re not trying to be flattering,” I said. “They’re trying to be lived in. Which makes them flattering anyway.”

I risked a glance at him.

He was watching me now. Fully. Closely. That heavy focus I was learning to recognize.

“And how would you photograph them?” he asked.

“Outside,” I said immediately. “In motion. Uneven ground. Wind. No studio. No control.”

A pause.

Then René nodded once.

“Acceptable,” he said.

Relief came sharp and sudden, then settled into something warmer. Quieter. I hadn’t nailed it—but I hadn’t failed either.