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He stops inside the doorway, taking in the three of us; the laptop, and the printed screenshots. Nora has been arranging on the desk, and the tea has gone cold without anyone noticing,and his features do the thing they do when he is taking the full measure of something before responding to it.

"What is this?" he asks low.

"Insurance," I answer without removing my gaze from the screen. "Come look."

He comes around the desk, and I walk him through it—the interviews, the timeline, the photographs, the contradictions. He reads everything I put in front of him with the focused attention he brings to anything that concerns the safety of his territory and the people in it. When I get to the interview clip where Dawson describes me as someone who wasn't well and needed help, I watch Logan's jaw tighten once, briefly, before he schools it back to neutral.

When I finish, he's quiet for a moment.

"If he comes here," I continue. "If he shows up on this mountain with his legal threats and his press statements and his hired security—I don't want to be standing here with nothing." I look at Logan directly. "This is what I have. And if he pushes far enough, it goes public."

Logan looks at the screen. Then at me. "You'd release it."

"Without hesitation," I confirm.

"Even knowing it escalates the situation."

"The situation is already escalated," I point out. "He's been escalating it on national television. I've been staying quiet. I'm done being quiet while someone else narrates my life."

Logan's face goes somewhere past surprise—into the particular territory of something already known, arriving at last in a concrete form. He reaches past me and scrolls back to the interview clip. He watches thirty seconds of Dawson describing my supposed instability with the particular attention of a man cataloging a threat.

Then he straightens up.

"If he pushes," he says, "this is the counter." He looks at me steadily. "And be clear on this—whatever you decide to do with it, whenever you decide the time is right, you won't be doing it alone."

Neither of us moves.

"You haven't been alone on this mountain since the first night," he continues, quiet and entirely certain. "That doesn't change because the situation got more complicated."

Nora makes a small sound beside me that I suspect is her version of emotional.

I glance back down at the screen. Twelve pages of documented truth sitting next to three television interviews full of carefully constructed fiction and a man standing next to me who has never once tried to write my story for me.

"Then let's make sure it's airtight," I announce, pulling the document back up. "Because when I use this, I only get to use it once."

24

LOGAN

The northern ridge patrol runs clean for the first forty minutes.

Mateo and I move through the upper trail in the companionable quiet of a partnership long enough established that communication has reduced to small signals—a gesture toward a sound, a pause at a scent, and the particular stillness that means wait—without either of us having to say it. The morning has burned off into a clear afternoon, and the light through the pines is the long, warm kind that makes the territory look exactly like what it is: worth protecting.

I'm reading the eastern treeline when Mateo stops.

I stop too, immediately, without asking why.

He points. Two fingers, directed north along the logging road where it curves behind the ridge before descending toward the valley.

A dark SUV is parked on the shoulder. Engine off. No visible movement from where we stand, but we are positioned with a sight line that takes in a significant stretch of the upper territory—including, if you knew where to look, the roofline of the main lodge.

My wolf goes very still.

"How long," I murmur, low enough to carry only to Mateo.

"Just saw it," he breathes back. "Wasn't there on the way up."

He pulls the binoculars from his jacket and raises them, adjusting the focus on the vehicle. He holds them steady for a long moment, scanning the driver's side, the windshield, and the road around it.