The warrants, Ray confirms later that afternoon by message, are already in motion—contractor licensing records, communication logs between Dawson's security firm and his corporate attorneys, and financial records connected to the intimidation pattern the documentation suggests. The department is moving faster than I expected, which tells me Ray's colleagues had been waiting for exactly this kind of concrete evidence to formalize what they'd been watching for months.
The following morning, Mateo's contact at the resort sends a message.
I'm at the kitchen table with Harper when Mateo comes through the door, and the expression on his face is the one that means the information he's carrying has a shape he's already assessed.
"Dawson," I conclude, before he speaks.
"He knows something is moving," Mateo states, setting his phone on the table. "My contact at the resort overheard him on a call last night. He didn't get all of it, but enough. Dawson's been reaching out to his attorneys since yesterday afternoon—the timing matches Ray making his calls." He pauses. "He's not waiting to find out how far it goes. He's organizing another approach. Today."
I look at the message. The contact's information is sparse—an overheard conversation, limited detail—but the shape is clear enough. A man who has spent his entire career making problems disappear before they could become formal, who is looking at a narrowing window and deciding to move before it closes entirely.
"He knows something is moving," I confirm. "And he's making one last push before it reaches him."
Harper, across the table, sets down her coffee. "Then let's make sure he walks into something he can't walk back out of."
The meeting isbrief because it doesn't need to be long.
The pack knows the territory. The pack knows the protocols. The pack has run this particular preparation twice already and can run it again without extended instruction.
Harper is at the table when I walk into the lodge, already there, already with her notebook open and her phone charged and the particular focused appearance of an intelligence that hasbeen running the implications of Mateo's kitchen conversation for the past twenty minutes and has not yet finished.
The pack gets the full picture in under five minutes.
Mateo's contact at the resort. Dawson reached out to his attorneys the moment the warrants started moving. The pattern of a man whose career has always moved faster than what followed it, until now. I lay it out plainly, without editorializing, and watch the room absorb it with the particular focused calm of a pack that has been ready for this and is simply being told it's time.
"Same positions as last time?" Nora asks, already pulling up the patrol map on her phone.
"Same positions," I confirm. "Tighter timeline. We may have less notice than last time. I want the bridge sensors monitored continuously, and I want Mateo on the radio the moment anything moves on the south road."
"Already on it," Mateo acknowledges.
"Garrett—cameras."
"Running," Garrett states. Already handled.
"Lila—supplies staged."
"Done," Quiet and certain. Already handled.
I look at Harper. "You record everything from the moment the vehicles are on camera. Same as last time. Whatever happens today goes into the official record and straight to Ray's department."
She nods once, already pulling up the recording app on her phone. "Already set up."
The pack disperses. Harper stays at the table for a moment, finishing something in her journal, and I wait until the lodge empties before I cross to where she's sitting.
She looks up.
The preparation is finished, and it shows. She is steady in the way she only gets when every variable has been accounted for and the rest belongs to the moment itself.
"Together," I state.
"Together," she agrees, closing the notebook.
She is ready.
So am I.
My radio goes.