“Get away from me, Miss Blackbird,” Oscar purrs, in the most vitriolic way possible. But fuck him, mission accomplished. He clearly has no idea how much I mess him up. He must really freaking hate me.
Doesn’t matter, I got what I wanted, smiling as I move around him toward Vic’s bike.
I feel almost maniacally excited at the prospect of violence. After all, if I'm shedding blood, I don't have to give a second thought to what happened with Aaron. Or why Hael Harbin, of all people, was watching.The Charter Crew—Mitch's insane motherfucking clown posse—are waiting outside this small white cottage in a shady part of town. Well, I think the cottage used to be white. The exterior walls are in desperate need of replacing; the bottom row of siding is covered in moss and clearly succumbing to the elements. Oddly enough, there are flowers planted in neat rows on either side of the walkway, some fall-blooming yellow thing that I'm pretty sure is an Oregon Grape.
Vic pulls right up into the middle of all that shit on his Harley, knocking the kickstand into place with his foot and then lighting up a cigarette, all before ever turning off the engine. Hael is right behind us, driving his Camaro right up and over the curb to park in the lawn. There are tire tracks there in the grass, making it fairly obvious that this is where he always parks.
He steps out of the driver's side, looking like a devil with that red hair of his, his beautiful mouth turned down in a frown. Oscar isn't far behind him, hands crossed pleasantly over the end of one of the baseball bats from Halloween night, still studded with nails but blessedly free of bloodstains. Chills chase up my spine as I think of Danny, lying dead on the bloodied floor. Where did they take him? Where did they bury him? And how did they get back so quickly? Supposedly, there are no secrets in Havoc, but is that really something I want to know?
“Where the fuck is my brother?!” Kyler snarls, getting right up in Vic's face.
For his part, Victor doesn't react, continuing to smoke his cigarette as my eyes pan past Kyler to find Billie and Kali. The former has red-rimmed eyes like she's been up all night, but the latter … she just smirks at me when she sees me, sending my pulse racing. How dare she flaunt herself in front of me like that. How goddamn dare she. I wonder, not for the first time, if the baby she's carrying is my stepdad's.
Kali keeps smiling at me, but it isn't a nice smile. As they say, every rose has its thorns. But I'll be damned if I let Kali Rose make me bleed. One day, the world is going to realize that she’s a lowlife, scummy, thieving bitch.
“What are you doing here?” Vic asks calmly, smoking his cigarette like he has all the time in the world. The wind catches the gray ash from the end, sending it spiraling down the quiet street. It smells like bum piss and neglect over here in the Four Corners neighborhood. On my right, there's a row of shitty, rundown houses from the 1940s. On the other side, the railroad tracks. Other than South Prescott, this is considered one of the worst neighborhoods in Lane County.
That, and it's Hael's home.
The look on his face as he leans back against the Camaro, muscled arms crossed over a red wifebeater, is pure murder. It's one thing to start a gang war in Prescott, it's a whole other thing to bring that shit to his fucking house.
“We're making a stand,” Mitch says calmly, reaching out to put a hand on Kyler's shoulder. He pulls his friend away, leaving Kyler to pace and run his fingers through his dirty blond hair. “Tell us what you did with Danny.”
Vic laughs, the sound like rusty nails and forgotten dreams. Mitch grits his teeth, brown eyes narrowing on Havoc’s leader. Mitch gestures with his chin, and then glances up in the direction of the chain-link fence that cuts across Hael's driveway. Just a few seconds later, several thugs in clown masks appear, dragging a redheaded woman between them.
She's wearing an apron, her face covered in bruises. One pink heel is still clinging to her foot, the other is missing.
“What the actual fuck?!” Hael roars, and then everything just happens in a blur.
Dozens of boys appear from the bushes, wearing skeleton masks—just like they did on Halloween night. Guns are drawn, and in less than a minute, Vic, Mitch, and I are in the middle of a stand-off.
“Let her go,” Hael growls out, losing every ounce of his usual cool. There's a deep-seated fear behind his eyes, a long-held terror finally realized. Mitch's cronies toss the comatose woman down on the gravel driveway and leave her in a heap.